Bold Monday

Fonts

• Alterego — from small pixels to large display uses

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Display, Bitmap/Pixel and Decorative.

  Supported languages: Latin Extended, Greek Monotonic, Cyrillic, Hebrew and Vietnamese.

• Aniek — a soft and friendly script inspired by writing with a felt-tip pen

  Designed by Pieter van Rosmalen.

  Available styles: Script/hand and Display.

  Supported languages: Latin Extended.

• Bilo — a grotesque in 9 weights with an unusual and charming feel

  Designed by Pieter van Rosmalen, Anna Khorash and Lora Shtirkova.

  Available styles: Sans, Display, Text and Dingbats/Ornaments.

  Supported languages: Latin Extended, Vietnamese and Cyrillic.

• Bilo Thai — The loopless Thai companion of our unusual normal grotesque

  Designed by Pieter van Rosmalen and Promphan Suksumek.

  Available styles: Sans, Display, Text and Dingbats/Ornaments.

  Supported languages: Latin Basic and Thai.

• Brando — a contemporary serif typeface, exploring the balance between mechanical and egyptian forms

  Designed by Mike Abbink.

  Available styles: Serif, Slab, Display and Text.

  Supported languages: Latin Extended and Cyrillic.

• Brando Arabic — a contemporary Arabic typeface, designed to work with both Brando and Brando Sans

  Designed by Mike Abbink, Wael Morcos and Khajag Apelian.

  Available styles: .

  Supported languages: .

• Brando Sans — a contemporary humanist sans-serif with plenty of attitude

  Designed by Mike Abbink.

  Available styles: Sans, Text and Display.

  Supported languages: Latin Extended and Cyrillic.

• Buendia — a warm and playful type family beyond the traditional suite of progressive weights and widths

  Designed by César Puertas.

  Available styles: Sans, Serif, Slab, Display and Text.

  Supported languages: Latin Extended.

• Capibara — a geometric typeface family constructed of horizontal and vertical strokes

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Display and Monospaced.

  Supported languages: Latin Extended.

• Dico — a varied suite of sans, slab and monospaced sub-families

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Slab, Monospaced, Display, Text and Script/hand.

  Supported languages: Latin Extended and Vietnamese.

• Feisar — a display typeface inspired by 1970’s science fiction, 1980’s video gaming and 1990’s techno culture

  Designed by Paul van der Laan.

  Available styles: Sans and Display.

  Supported languages: .

• Feisar Express — a ‘retro-futuristic’ inline script

  Designed by Paul van der Laan.

  Available styles: Sans, Script/hand and Display.

  Supported languages: .

• Flex — a true multi-purpose type family: highly readable at small sizes, pithy and bold as a display face

  Designed by Paul van der Laan.

  Available styles: Sans, Display and Text.

  Supported languages: .

• Goldich — a type family with crystallized glint

  Designed by Jasper de Waard.

  Available styles: .

  Supported languages: .

• Jurriaan 3D — an angular interplay of dimensions

  Designed by Pieter van Rosmalen.

  Available styles: .

  Supported languages: .

• Kristal — a fresh look at Renaissance text faces

  Designed by Eyal Holtzman.

  Available styles: Serif, Display, Text and Dingbats/Ornaments.

  Supported languages: Latin Extended.

• Logical — a well reasoned sans with a warm personality

  Designed by Edgar Walthert.

  Available styles: Sans and Text.

  Supported languages: Latin Extended.

• Macula — the ‘impossible typeface’

  Designed by Jacques Le Bailly.

  Available styles: Sans, Display and Decorative.

  Supported languages: Latin Extended.

• Mala — a type family inspired by cartography

  Designed by Barbara Bigosińska.

  Available styles: Text, Display, Serif, Condensed and Extended.

  Supported languages: Latin Extended.

• Nitti — a monospaced typeface with roots in early 19th century Grotesques

  Designed by Pieter van Rosmalen and Yanek Iontef.

  Available styles: Sans, Monospaced and Text.

  Supported languages: Latin Extended, Greek Monotonic, Cyrillic, Vietnamese and Hebrew.

• Nitti Grotesk — a sans-serif for editorial environments inspired by early 19th century Grotesques

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Display and Text.

  Supported languages: Latin Extended.

• Nitti Grotesk Condensed — the space-saving, emphatic companion to Nitti Grotesk

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Condensed, Display and Text.

  Supported languages: Latin Extended.

• Nitti Mostro — the beefy cousin of Nitti Grotesk, geared to daring display uses

  Designed by Pieter van Rosmalen, Aleksandra Samuļenkova and Yanek Iontef.

  Available styles: Sans, Display, Stencil, Decorative and Dingbats/Ornaments.

  Supported languages: Latin Extended, Vietnamese, Greek Monotonic, Cyrillic and Hebrew.

• Nitti Typewriter — a playful family that nods to the aesthetics of typewriters

  Designed by Pieter van Rosmalen and Yanek Iontef.

  Available styles: Sans, Monospaced, Text and Display.

  Supported languages: Latin Extended, Greek Monotonic, Cyrillic, Vietnamese and Hebrew.

• Oskar — made from architectural lettering for display and titling use.

  Designed by Paul van der Laan.

  Available styles: Sans, Display and Decorative.

  Supported languages: Latin Extended.

• Panno Sign — a typeface for signage and wayfinding, initially developed for South Korean street signs

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Display and Condensed.

  Supported languages: Latin Extended.

• Panno Text — narrow proportions, a very large x-height and open counters for legibility in small sizes

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Condensed and Text.

  Supported languages: Latin Extended.

• Pilot — an informal jobbing typeface

  Designed by Aleksandra Samuļenkova.

  Available styles: Display, Script/hand and Condensed.

  Supported languages: Latin Extended.

• Puffin — a humanist sans from extra clear to extra swinging

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Display and Text.

  Supported languages: Latin Extended.

• Puffin Arcade — bitmapped and entertaining

  Designed by Pieter van Rosmalen.

  Available styles: Bitmap/Pixel, Display and Stencil.

  Supported languages: Latin Extended.

• Quinn — a family with Text and Display styles for complex editorial design

  Designed by Diana Ovezea.

  Available styles: Serif, Display, Text and Dingbats/Ornaments.

  Supported languages: .

• Rekall — the assertive, street-smart stencil typeface

  Designed by Shiva Nallaperumal.

  Available styles: .

  Supported languages: .

• Rigby — a unique little sans-serif family

  Designed by Pieter van Rosmalen.

  Available styles: .

  Supported languages: .

• Stanley — a broad-shouldered grotesque in three styles for display use

  Designed by Pieter van Rosmalen.

  Available styles: Sans, Display, Stencil and Dingbats/Ornaments.

  Supported languages: Greek Monotonic, Latin Extended and Cyrillic.

• Trio Grotesk — an interpretation of Kaart Antieke, an early 20th century sans-serif used by Piet Zwart

  Designed by Florian Schick.

  Available styles: Sans, Text and Display.

  Supported languages: Latin Extended.